Dynamics &
Filters
EQ
Assignable Aux
Sends
Dynamics &
Filters
The ES108A, an eight
channel dynamics option,
features a unique archite-
cture employing DSP to
precisely compute the gain
function. This approach
results in a state-of-the-art
gain control device with
unmatched sonic perform-
ance. The ES108A supports
SnapShot Recall so functions
can be stored and reset at
the touch of a button. Users
can add their own presets to
the library of factory presets. A Euphonix patented color graphical
display shows dynamic gain control in action. The Gain Ball™
makes set-up, operation, and monitoring of the ES108A’s operation
fast, simple and intuitive. A red ball tracks the theoretical gain
curve in real-time and visually indicates attack and release time
adjustments. For the first time– the effect of dynamic processing
can be accurately predicted and displayed. Standard gain functions
are available to be used simultaneously. A new mode, Dynamic
Notch, creates a frequency dependent gain reduction band ideal for
use in de-essing or de-ringing, as well as solving many other gain
related problems. Each
channel of the ES108A
includes a pair of digital
control filters which can be
individually selected to low
pass, high pass, band pass,
or notch. These 12 dB per
octave filters can be placed
in the main signal path, or
the side chain of the gain
control element. The
ES108A is so flexible it
even allows the operator to
select negative compression
ratios for very special gain-
based effects. The ES108A
is more than just a
compressor / expander /
limiter- it’s a creative tool!
EQ
Each channel has two 4-
band digital control
equalizers. EQs can be
instantly adjusted from
one setting to the next
using the SnapShot Recall
system, or dynamically
automated under MixView
3.0. A real-time color
graphic display of the EQ
response curve, complete
with band interaction,
sets new standards for
ease and speed. EQ is
adjusted from the center
mix position using the central assignable controls; no more
gymnastics are needed to adjust and listen to subtle EQ
adjustments, since the operator is always in the monitoring sweet
spot. Critically acclaimed for musicality and flexibility, the Euphonix
EQ features the broadest mid-band frequency sweep range and
overlap of any analog console EQ. The Lo-Mid band sweeps from
41.2 Hz to 1.3 kHz, and the Hi-Mid band sweeps from 659 Hz to
21.5 kHz both with an adjustable Q from .32 to 11.6. The two
independent EQs in each channel can be locked together for precise
stereo signal control or placed in series on a mono signal to create
complex EQ characteristics,
capable of creating effects or
solving the most stubborn
problems.
Assignable Aux
Sends
Adding the optional Audio Cube™,
a system can be expanded to
include from 4 to 48 additional aux
output buses making the total aux
sends available a staggering 56!
These buses may be configured as
aux sends, or as Hyper-Surround
buses and are adjusted from the
DSC. They are part of the SnapShot
Recall system. A future planned
upgrade will provide dynamic
automation of these send levels.
dynamics, EQ and Aux Sends
(16 pagine)
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