"With the Euphonix,
my clients get great
value for money as
more time is spent
actually creating
great tracks with
absolutely no time
wasted on resets,"
says Truls Birkeland,
Studio Manager and
Chief Engineer at
Norlyd’s Studio 1 in
Norway. Also
pictured: (right)
engineer Jens Dryer
Norlyd
...the
design
philosophy
...the
design
philosophy
The Euphonix digital control mixing
system is based around a modular and
scalable architecture. Systems may be
specified to exactly match a facility’s
needs and financial resources today,
yet still allow for future upgrades. A
Euphonix purchase is an investment
that is forward compatible. As Dolby
Digital surround sound, DVD disks,
DTS multi-channel CDs and other
technological developments begin to
change the demands placed on music
recording and mixing, the unique
modular system approach keeps audio
systems current. Every Euphonix
owner continues to benefit from
significant new features and
enhancements added through
software releases and hardware
options. The system is designed so
that it may be upgraded and
expanded in the field. Euphonix
systems will keep a studio
competitive and current into the next
century.
When mega-star
Bruce Springsteen
returned to his
acoustical roots to
record The Ghost of
Tom Joad, he chose
a 96 fader Euphonix
console for his
studio, Thrill Hill
Recording.
Pictured: Engineer
Toby Scott
Bruce Springsteen
London producer
Steve Lipson is well
known for his Annie
Lennox projects.
Recent work in his
Euphonix equipped
studio includes the
latest Cher album.
Steve Lipson
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